1.0威爾·法瑞爾,約翰·C·賴(lài)?yán)?瑪麗·斯汀伯根,理查德·詹金斯,亞當(dāng)·斯科特,凱瑟琳·哈恩,安德麗·薩維奇,Lurie Poston,Elizabeth Yozamp,Logan Manus,Travis T. Flory,Lili Rose McKay,Shira Piven,Seth Morris,韋恩·費(fèi)德曼,鄭肯
Barton Byg, for instance, acknowledges that Die bleierne Zeit “constructs a powerful cinematic evocation of a land burdened by its past,” but he claims that the film’s power comes from “the acceptance of mass culture as a language or sign-system into which neither the critic nor the artist can intervene from the outside. They accept the film industry as it is rather than propose a radical alternative.”//Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:385